I have a few things happening right now.
Otis Street Arts Project Artists at Logan Fringe Arts Space
A number of my studio mates at Otis Street Arts Project an I have work up in the Logan Fringe Arts Space. A cool showing of our different styles and approaches to artmaking. Come see some art. grab a drink. maybe see a few plays.
Artists:
Sean Hennessey, David Mordini, Gloria Chapa, Hebron Chism, M.L. Duffy, Liz Lescault, Alma Selimovic, GrinGoh
Reception: Thursday February 4th 7-11PM
The exhibit runs through March 1
Facebook Event Page
Logan Fringe Arts Space
1358 Florida Ave NE
Washington, DC 20002
DC 5, a Glass Narrative at OKAY SPARK
My other studio home is the Washington Glass School. A collection of artists at WGS will be exhibiting glass pieces at OKAY Spark Gallery in Norfolk, Virginia.
Artists: Sean Hennessey, Tim Tate, Michael Janis, Audrey Wilson, Erwin Timmers.
Reception: Friday February 5th 6-8PM
Exhibit runs through March 6th
Okay Spark Gallery
801 Boush Street
Norfolk, Va
SCOPE NYC with Habatat Galleries
I will be showing some exciting new work at SCOPE with Habatat Galleries.
SCOPE NYC
March 3-6
639 W. 49th St
New York, NY
44th Annual International Glass Invitational at Habatat Gallery
I'm excited to once again be participating in the International Glass exhibition at Habatat Gallery in Royal Oak, Michigan. It's a huge show with some of the worlds best artists working in glass. It's a crazy huge honer to be showing with these stellar artists.
VIP events: May 5-7th
Grand Opening May 7th 8-10 PM
Habatat Gallery
4400 Fernlee Ave
Royal Oak, Michigan
Open Studios May 14th
There will be an Open Studio Tour on Saturday May 14th for all studios within the Gateway Arts District of Prince George's County, MD
Be sure to stop by my place!
Otis Street Arts Project
3706 & 3708 Otis Street
Mount Rainier, MD 20712
I'll post more details later.
Showing posts with label dc. Show all posts
Showing posts with label dc. Show all posts
Sunday, January 31, 2016
Sunday, October 26, 2014
Explaining My Work: She Drowns The World With Her Sorrow
Continuing with the Explaining My Work series, I wanted to address a piece from my Alice Revisioned series.
This piece comes from my series based on Alice in Wonderland. It is directly informed by the chapter Pool of Tears. Indirectly, it is informed by personal experiences. It is also a adapted remake of a piece in the original series I created in 2012.
In 2012, I created a series based on the works of Lewis Carroll and exhibited at 410 Goodbuddy Gallery in Washington, DC. (Here's an interview with the Huffington Post about the exhibit) I was really happy with my approach to the pieces and my first inclusion of video in my work. I felt that there was still room for more piece in the series but didn't have the right opportunity to continue with it. in 2013 I was contacted by the College of Southern Maryland to Exhibit in their gallery. I waffled a bit on what I would created, considering a series based on the Wizard of Oz, or possibly simply random pieces without a unifying theme. I do like themes though. Earlier this year I settled on remounting the Alice series and knew that based on the size of the space i needed more works. I had in mind pieces that didn't quite work in the original batch, or that i just didn't have the time to complete. Since the original piece, Pool of Tears, was no longer available to exhibit, and I had an idea of how to make it differently, I set about creating/recreating She Drowns the World With Her Sorrow.
When first conceptualizing Pool of Tears, I had imagined a video of eyes crying behind a boat, inside of a room with drapery. The designed morphed a bit and I decided to include a video I had taken while on a kayaking trip on the Susquehanna River. The boat, the oar, little sea creatures stayed with the design. With the piece being unavailable and the chance to remount the exhibit with additional pieces, I was able to rethink and fine tune my approach. I was certain I wanted to include my original idea for a child crying. I wanted to rethink not just the elements, but what I was trying to convey. I wanted to really think about the self pity aspect and the destructive part of that. And I wanted to make it a warning to myself. The piece is actually quite personal.
I'll talk about the different elements and how they came to be.
On the top section is a flat window pane with the image of a cargo ship. The image came directly from Cargo Ship, a piece from another series, The Luxury of Dreams.
The image is part photo, part drawing, part photoshop. The pane of glass has been painted as well. I wanted to add another ship element to the piece, and a pretty open metaphor of the baggage that we carry with us. The load that weighs us down in the water. but also the things that we're able to transport to others. The Cargo Ship only exists because of the load it can carry. And I really wanted to draw connections to other pieces I've made. To draw a connectedness, to illustrate that these pieces are in the same world I'm connecting.
The main portion of the sculpture is a slump cast window glass pane. I carved the boat out of insulation foam and made a mold of it for the glass casting. The boat is the same boat from Pool of Tears, but this time with more people, and oarless, adrift in the current. but surviving.
The setting for this current is a section of rowhouses along First Street NW in Washington, DC. As with the cargo ship, the image is a photo that has been highly altered with drawings, photoshop, and paint. And was also taken from a piece in The Luxury of Dreams series.
The scenery represents the world around us, and the ramifications of what could be, and is, lost. This was my old neighborhood, a place I was quite found of, and worked tirelessly for through a home renovation, street clean ups, volunteer work, starting an neighborhood blog, and making murals on a few business. It was really the first and only place I've felt "home". The loss of place, even through a necessary direction in my life, holds a profound effect on me. Theres a lot going on in the piece for me. layered and with perhaps a blurred distinction between Alice, Home, The boats, the rising waters, and those in the boat. I think that we are all of those things simultaneously. The piece represents the destructiveness of self pity. It represents survival in the face of destruction and change. It represents the things and people we carry with us. It is a touching and beautiful moment in the book, and I wanted to bring a sense of that to my work, while adding my own world, and vision and viewpoint. For me it holds a warning, and a reminder, and a fear of sadness. It also holds hope and a means to move forward.
Also, as with most of the pieces in my Alice in Wonderland series, there is a hidden image of a rabbit.
What do you think?
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| She Drowns the World With Her Sorrow Glass, Paint, Photo, Found Objects, Video 19.5"x16"x5" (Photo by Pete Duvall) |
This piece comes from my series based on Alice in Wonderland. It is directly informed by the chapter Pool of Tears. Indirectly, it is informed by personal experiences. It is also a adapted remake of a piece in the original series I created in 2012.
 |
| Pool of Tears (photo by Pete Duvall) |
When first conceptualizing Pool of Tears, I had imagined a video of eyes crying behind a boat, inside of a room with drapery. The designed morphed a bit and I decided to include a video I had taken while on a kayaking trip on the Susquehanna River. The boat, the oar, little sea creatures stayed with the design. With the piece being unavailable and the chance to remount the exhibit with additional pieces, I was able to rethink and fine tune my approach. I was certain I wanted to include my original idea for a child crying. I wanted to rethink not just the elements, but what I was trying to convey. I wanted to really think about the self pity aspect and the destructive part of that. And I wanted to make it a warning to myself. The piece is actually quite personal.
I'll talk about the different elements and how they came to be.
On the top section is a flat window pane with the image of a cargo ship. The image came directly from Cargo Ship, a piece from another series, The Luxury of Dreams.
 |
| Cargo Ship Glass, Paint, Photo |
The image is part photo, part drawing, part photoshop. The pane of glass has been painted as well. I wanted to add another ship element to the piece, and a pretty open metaphor of the baggage that we carry with us. The load that weighs us down in the water. but also the things that we're able to transport to others. The Cargo Ship only exists because of the load it can carry. And I really wanted to draw connections to other pieces I've made. To draw a connectedness, to illustrate that these pieces are in the same world I'm connecting.
The main portion of the sculpture is a slump cast window glass pane. I carved the boat out of insulation foam and made a mold of it for the glass casting. The boat is the same boat from Pool of Tears, but this time with more people, and oarless, adrift in the current. but surviving.
The setting for this current is a section of rowhouses along First Street NW in Washington, DC. As with the cargo ship, the image is a photo that has been highly altered with drawings, photoshop, and paint. And was also taken from a piece in The Luxury of Dreams series.
The scenery represents the world around us, and the ramifications of what could be, and is, lost. This was my old neighborhood, a place I was quite found of, and worked tirelessly for through a home renovation, street clean ups, volunteer work, starting an neighborhood blog, and making murals on a few business. It was really the first and only place I've felt "home". The loss of place, even through a necessary direction in my life, holds a profound effect on me. Theres a lot going on in the piece for me. layered and with perhaps a blurred distinction between Alice, Home, The boats, the rising waters, and those in the boat. I think that we are all of those things simultaneously. The piece represents the destructiveness of self pity. It represents survival in the face of destruction and change. It represents the things and people we carry with us. It is a touching and beautiful moment in the book, and I wanted to bring a sense of that to my work, while adding my own world, and vision and viewpoint. For me it holds a warning, and a reminder, and a fear of sadness. It also holds hope and a means to move forward.
 |
| detail |
What do you think?
Friday, September 26, 2014
Explaining My Work: Seeing Beyond
A continuation of my posts trying to give you a glimpse into why I make what I make, and what I think it means. I wrote about this piece before, but felt I should expand on it.
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| Seeing Beyond Glass, Paint, LED
24”x30”x4”
|
I began using locks in my paintwork, really for as long as I can remember. When I began working in glass this was an early piece that I used the lock imagery.
.jpg) |
| Doubt Glass, Concrete, Paint 42"x13" 2009 |
My next series included the imagery of Goggles that I've revisited for Seeing Beyond. I first used goggles in science class in school. And for swimming, and I think I even had some for sledding. I used goggles in college when i learned oxyacetylene welding and steel cutting. I even bought a pair of goggle sunglasses back in the 90's when i thought i was a bit cool. They were at least good for raves and waterslides.
I created a lot of paintings with figures wearing goggles. a lot of those never made the jump from slides to digital files so may be lost forever... but the image to the left was the first time I used goggles in glass.
It's a retelling of the story of Prometheus. The story of Prometheus has been a huge part of my artwork for a long time and something I've thought about since I first read Frankenstein; or, The Modern Prometheus in High School. In this piece, I use the goggles to represent Victor Frankenstein, the scientist, or Prometheus in his capacity to think creatively and problem solve. This also goes into why I use lightbulbs so frequently in my work
It's a retelling of the story of Prometheus. The story of Prometheus has been a huge part of my artwork for a long time and something I've thought about since I first read Frankenstein; or, The Modern Prometheus in High School. In this piece, I use the goggles to represent Victor Frankenstein, the scientist, or Prometheus in his capacity to think creatively and problem solve. This also goes into why I use lightbulbs so frequently in my work
Monday, September 08, 2014
Alice Revisioned at the Tony Hungerford Gallery at the College of Southern Maryland
I've got a solo exhibit up at the Tony Hungerford Memorial Gallery at the College of Southern Maryland. Come see it!
Details:
Alice Revisioned
A mixed and multimedia series based on Alice in Wonderland and Through the Looking Glass
Tony Hungerford Gallery
Fine Arts Building
College of Southern Maryland
8730 Mitchell Rd
La Plata, Md
September 8 – October 3
Gallery Talk and Reception: September 16 at 12 p.m.
Gallery Hours:
Monday - Friday 9 a.m. - 9 p.m.
Saturday 10 a.m. - 6 p.m.
Two years ago, I began a series based on Alice in Wonderland and Through The Looking Glass. I had the exhibit at 410 Good Buddy Gallery in Washington, DC and had received a grant from The District of Columbia Commission on the Arts and Humanities to help defray costs in creating the works. It was my first attempt at using both lighting and video in my work.
With the opportunity to exhibit at the College of Southern Maryland, in a slightly larger space, I wanted to remount this exhibit, but add new pieces incorporating new thoughts, feelings, interpretations, and techniques. I wanted to maintain a similar feel, but add to the excitement of the series. I added new video pieces, retouched a few of the original pieces, and added a few more personally relevant touches. An aspect that i really wanted to add was incorporated drawing and photography into the glass. I first started using a photo transfer technique in my Luxury of Dreams series, and was excited to incorporate that use into the Alice series. In fact, I used some relevant imagery directly from the dream series to draw connections to previous works and ideas. In total there are 14 pieces in the show.
Details:
Alice Revisioned
A mixed and multimedia series based on Alice in Wonderland and Through the Looking Glass
Tony Hungerford Gallery
Fine Arts Building
College of Southern Maryland
8730 Mitchell Rd
La Plata, Md
September 8 – October 3
Gallery Talk and Reception: September 16 at 12 p.m.
Gallery Hours:
Monday - Friday 9 a.m. - 9 p.m.
Saturday 10 a.m. - 6 p.m.
 |
| Detail Drink Me-tamorphosis Photo by Pete Duvall |
 |
| Detail Humpty Dumpty is a Rabbit HolePhoto by Pete Duvall |
With the opportunity to exhibit at the College of Southern Maryland, in a slightly larger space, I wanted to remount this exhibit, but add new pieces incorporating new thoughts, feelings, interpretations, and techniques. I wanted to maintain a similar feel, but add to the excitement of the series. I added new video pieces, retouched a few of the original pieces, and added a few more personally relevant touches. An aspect that i really wanted to add was incorporated drawing and photography into the glass. I first started using a photo transfer technique in my Luxury of Dreams series, and was excited to incorporate that use into the Alice series. In fact, I used some relevant imagery directly from the dream series to draw connections to previous works and ideas. In total there are 14 pieces in the show.
 |
| Detail She Drowns the World With Her Sorrow |
Here is the Press release for the exhibit
Artist Sean Hennessey will open the season for the College of Southern Maryland’s Tony Hungerford Memorial Art Gallery with his exhibit of “Alice Revisioned,” on the La Plata Campus, Sept. 8 through Oct. 3.
Hennessey’s exhibit is a mixed-multimedia series based on “Alice in Wonderland” and “Through the Looking Glass.” The approach adds a visceral reaction while also maintaining the dreamlike magic and wonder evident in the books.
Hennessey will be available at noon on Sept. 16 for a free gallery talk. The talk is open to CSM students as well as the community as an opportunity to meet the artist and discuss his work.
“While I can teach students the technical tools and crafts that they need to be able to articulate their visual ideas, the gallery talks bring artists like Sean Hennessey from all over the country, to give students a feel for the challenges and rewards for professional artists. Our exhibitors not only share their work, but also their experience and their artistic vision with our students and local artists in Southern Maryland,” said CSM Assistant Professor Katherine Sifers, who is curator for the Tony Hungerford Memorial Art Gallery.
The gallery is located in the Fine Arts Building, with hours of 9 a.m. to 9 p.m., Monday through Friday; and Saturday, 10 a.m. to 6 p.m. Both the gallery and the gallery talk are free to attend.
For information on Hennessey exhibit as well as future exhibits, visithttp://www.csmd.edu/Arts/HungerfordGallery.html.
Wednesday, November 14, 2012
Glass at the Washington Craft Show 2012
SPECIAL GLASS EXHIBIT
In celebration of the 50th anniversary of studio art glass, the Washington Craft Show has provided the Maurine Littleton Gallery with an 800 square-foot space to illustrate the history of glass. The exhibit will feature work from Harvey K. Littleton, the founder of the American glass movement, and next generation artists Dale Chihuly, Fritz Dreisbach, Michael Janis, Allegra Marquart, Joel Myers, Ginny Ruffner, Therman Statom, Tim Tate, Erwin Timmers, Sean Hennessey and more. Maurine Littleton is the daughter of Harvey K. Littleton.
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| That Worlds Unseen Surround the World We Know Glass, Paint, LED 36"x24" by Sean Hennessey |
Friday, November 16 • 10am-8pm
Saturday, November 17 • 10am-6pm
Sunday, November 18 • 11am-5pm (note: Screening of “A Not So Still Life” will begin at 10am in a room adjacent to the show floor. See box office attendant.)
Tickets $15 / seniors $14 / under 12 free with paid adult
Group discounts for 10 or more: $10 ea.
Friday after 6pm: $6
Monday, December 12, 2011
This Sunday: Bloomingdale Holiday Art Market
It's happening again! The Bloomingdale Holiday Art Market at Big Bear Cafe in Washington, DC, will take place on Sunday, December 18, 5–9pm.
Shop local and support your favorite artisans and designers at DC's best coffee shop. Vendors include Sean Hennessey, De*Nada Design, Tigerflight, Van Wagoner Studios, andGoshdarnknit.
We'll help you finish your holiday gift shopping list as you pick up some treats for yourself, sing along with the carolers, and enjoy everyone's favorite winter treat, spiked cider!
Details:
What: Bloomingdale Holiday Art Market
Where: Big Bear Cafe (First and R St NW, DC)
When: Sunday, December 18
Time: 5-9pm
Shop local and support your favorite artisans and designers at DC's best coffee shop. Vendors include Sean Hennessey, De*Nada Design, Tigerflight, Van Wagoner Studios, andGoshdarnknit.
We'll help you finish your holiday gift shopping list as you pick up some treats for yourself, sing along with the carolers, and enjoy everyone's favorite winter treat, spiked cider!
Details:
What: Bloomingdale Holiday Art Market
Where: Big Bear Cafe (First and R St NW, DC)
When: Sunday, December 18
Time: 5-9pm
Friday, November 18, 2011
trumpet progress
I've been working on creating the model for the trumpet project I mentioned before. I've also been doing a few tests on materials. I wanted to find a concrete casting product that was fiber reinforced, as strong as possible, and as resistant to freezing and thawing as possible. I wound up choosing NeoMix D, a two part polymerized cement system. I was able to create a very strong casting at less than one quarter of an inch thick. That's pretty sufficient for what I need.
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| concrete mixture test |
Then I needed to see how the cement accepted colorants. I'm going with a sienna color for the trumpet. I think it will compliment the blue of the figure very well. I will still do a few more tests on this.
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| Concrete Color Test |
So I began building my model. My first step was to create the center portion since that holds everything together. I first tried creating it in foam, but i need it to be much stronger so I went with wood.
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| drilling middle section Holes need to be drilled for the pipes to fit through. I used PVC pipe for the pipes of the trumpet. I figured it would be strong and that it would be easy to assemble. The curves in PVC and the connection points weren't exactly what i needed so I improvised. |
 I epoxied all the joints so that it would be a very solid model. The model needs to survive a two part mold making process, but I wanted it to be able to remain intact just in case I would need to make another mold of it. you never know, and it's sometimes best to make it much stronger than you need. Here is the whole structure coming together.  I then added 1/2 round fluting to create the valves of the trumpet.  |
| adding 1/2 round elements |
Once that all came together I added the prototype bell created in glass. Still a little tweaking will need to be done.
I roughed in the glass inserts that will act somewhat as a sun catcher, and add a bit of a glimmer to the piece.
I still have a lot of fine tuning and cleaning up of the model and adding a bit of detail here and there before prepping the model for moldmaking.
Monday, June 13, 2011
Washington Glass School Exhibit @ Long View Gallery Closing Party
There is one week left to see the Washington Glass School 10th Anniversary Exhibit at Long View Gallery!
We will be having a closing party birthday bash on Sunday June 19th from 2-5 PM. Read the review by Michael O'Sullivan in the Washington Post and come on out and celebrate our anniversary and the success of this exhibit.
Washington Glass School
10th Anniversary PartyLong View Gallery
1234 9th Street, NW
Washington, DC 20001Sunday, June 19th, 2011
2-5 pm
We will be having a closing party birthday bash on Sunday June 19th from 2-5 PM. Read the review by Michael O'Sullivan in the Washington Post and come on out and celebrate our anniversary and the success of this exhibit.
Washington Glass School
10th Anniversary PartyLong View Gallery
1234 9th Street, NW
Washington, DC 20001Sunday, June 19th, 2011
2-5 pm
If you would like me to give you a guided tour of the exhibit before our closing party, let me know. The gallery is open during the following times and i can meet you there!
Hours:
Wednesday-Saturday 11-6
Sunday 12-5
And by Appointment
comment here or shoot me an email art@wheresmycoffee.com
Monday, December 27, 2010
Collection of Washington DC area Artists. Wildly Subjective Post.
I wanted to share something very personal to me. our art collection. not pictures or anything, but the artists that we collect. My wife Rania and I have, over the last few years, been trying to collect works of DC area artists. We're pretty committed to promoting and supporting local art and we have a lot of great friends that happen to be great artists. Place and community are important to us. We also want to shape our collection into something very personal and a narrative of sorts or our life, people and things that we want to be close to. Our collection is one venue and outlet for our creativity. I've talked to a number of people recently that want to collect DC art but were uncertain where to begin. I hope this helps those people... as well as just serving as a list for me to remind myself to buy art. Plus, you know.. if any of you want to buy us gifts (our birthdays are both in february). And yes, its 100% subjective. And no, I mean no offense if you are not on this list.
So far, we've managed to get works by these wonderful artists:
Novie Trump-
I knew Novie a looong loong time ago, well before either of us knew of one another as artists. I was taking a year off of college, she was working at a punk rock pizza joint where a roommate of mine worked. We were acquaintances, but not really friends. I re-met her at a lecture at the Arlington Art Center and she showed me some of her work. I fell in love with it. Plus Novie is a great woman. I got to know Novie better as we were both on the board of the Washington Sculptors Group for a spell and we are now studio neighbors out in Mount Rainier. I can't get enough of her work and if rich enough would get her to design an entire room. I deeply hope that I can actually work with her on projects in the future.
Andrea Haffner-
I first saw Andrea's work at Artomatic back in 2002. Stunning pieces and I've been buying jewelry from her for years. Her studio was nearby our house and before she took a sabatical from DC we bought a small piece of hers. we need a larger piece i'm afraid. it's unique and beautiful. natural and synthetic. delicate and indestructible. I dont know a soul that doesn't love her work.
Michael Janis-
Once michael started working in his now renowned scraffito technique i really wanted a piece of his. I've managed to pick up a few of his pieces at the Washington Glass School open studios. I'd really love to buy a large panel of his works, especially his more architecturally oriented pieces. he should be an art megastar. His work is that compelling.
Tim Tate-
I met and became good friends with Tim at the 2002 Artomatic. I had gone a bit over the top with a painting installation at that artomatic and was fortunate to have tim fall in love with my work. I was able to barter with tim to get some cool pieces of his. nothing like his newer pieces... which i covet. Even though he is mostly known, these days anyway, for his self contained video installations, my favorite pieces of his are complicated and narrative arrays of found objects with cast and blown glass. series such as the 7 deadly sins. But then again, maybe if ya'll would stop buying his work, his prices would go down and i could afford it. ; ) Tim is one of the founders of the Washington Glass School, a MUST SEE studio for every art lover and collector in the dc area.
Kirk Waldroff -
I met Kirk in 2003 through the Mather Studios, a subsidized housing project for artists. we became friends, but also, along with Kristina Bilonick and rania hassan, worked together on a secret project called Art Monday. We've even exhibited together under the pseudonym Arthur Monday. Kirk is a printmaker and carpenter, but sometimes casts his wood blocks in glass. or concrete. ( he and i made a concrete countertop for his place once)
Jaime Zollars-
I set up across from Jaime at a Crafty Bastards and few years ago and fell in love with her and her work. I bought a piece of hers as a present for Rania for Christmas last year. I guess really all i have is a print. I want originals, so I'll have to keep checking her work out.
Kerri Sheehan-
Kerri and I became friends through the Washington Glass School where she used to teach. She was doing some interesting work with Venus figures and drawings on cast plate glass. recently I plastered the walls of her new house.
Elizabeth Baldwin-
Beth and i worked together at the Shakespeare Theatre. I've known her for, i guess around 12 years or so. i have a few small pieces of hers from original pastel to prints to her current series of plush figures.
Scott Brooks
I've absolutely loved Scott's work since I first saw it... prolly at Artomatic 2000?.. I became friends with Scott at some point... don't really know how... but I was fortunate to go to his moving sale and score a really cool piece. The pieces of his that I love are, like a few artists that i know, a bit beyond our budget.
Kelly Towles-
I don't remember when I met Kelly, but the first time I saw his work was at the warehouse cafe and he had done a large painting, possibly on the wall. super cool. i first got to hang out with kelly while doing the Pool Tradeshow in Vegas a few years ago. i've gotten two pieces as gifts. but I hope I can buy a large piece of his someday.
Erin Antognoli-
Erin creates really cool holga photos. but she has a certain and unique style that I really like. I first met Erin through Artdc.org and some gallery hopping. recently she's been seduced by the dark side of art: sculpture. I'm excited to see where that might go.
Sean Welker ( Sadly, he's moved on to Chicago. Rat bastard)
If sean had stayed in dc we'd be best friends by now. I love him, and his work. I picked up only a very tiny piece of his at his going away studio sale. i got to visit with him once in Chicago and would love to go back.
Carlos Beltran Baldiviezo-
I set up next to and met Carlos a few years ago at the Downtown Holiday Market just outside the National Portrait Gallery in DC. His figurative clay sculptures are beautiful and we traded pieces. I really like his work, though I have only seen him a few times since. he works out of the Torpedo Factory in Alexandria, Virginia.
Jessica Wade Howard
Jessica made a painting for us when we got married. I met jessica and her husband Lee, another sculptor, during my time at the Shakespeare Theatre. Jessica was once one of the set painters, then went on to work for Stanislavsky theatre, and then onto motherhood and a non art job. I hope she someday finds her artwork again. she's very talented.
I would wholeheartedly recommend adding these artists to your collection. We, of course, have some fine examples of our OWN WORKS. all over our house. too many. want some? Clearly you should have our works too.
There are still a ton of artists that we still want pieces from and I would encourage everyone to seek them out. That list includes, but is not limited to:
Margaret Boozer-
I have been in love and a hero-worshiper of margaret forever. she's awesome and her work kicks ass. I really want a piece of hers but I know that I will need to be very careful in picking which one. Also, once margaret co curated a show at DCAC with a curatorial statement that still haunts me. Her studio is a MUST SEE for every collector and art lover in the DC area.
Sondra Arkin
I first met Sondra through her curation of the DC City Hall's Art Collection ( which you should go through... for free, any weekday) . She's a masterful curator, but a subtly amazing encaustic aritist. I say sublte, because the impression that her work has made on me has been slow. Perhaps I have grown to appreciate it, but I think that the non objective nature calls for a contemplation that takes time. In any case, all of the sudden her work became fresh in my eyes. It's funny how that works.
Erwin Timmers
Now, I could kick myself for not buying one of Erwin's Snake Lights when I first saw it and I could actually afford it. Someday. Someday I will get a piece of his. Erwin is a director and studio mate of mine at the Glass School, so I've gotten to talk to him quite a bit about his work. His news stuff is going to skyrocket him. Buy it if you can.
Chris Shea
Chris is a master of iron and metal working. A MASTER. If you appreciate quality functional metal pieces, check his stuff out. I'd kill for him to make me a dinning room table. Or just about anything.
Michael Sirvet
Mike is a friend also through the Mather artists. His metal sculpture is a bit mind numbing when you contemplate his exactness and labor. Now, of course, he's gigantic and his greatness means i never see him anymore. Someday i'll get one of his pieces though.
Syl Mathis
A glass artist that makes exquisitely cast glass "boats" with wonderful metal stands. The simplicity and elegance of his work is very nice, and really its only that its cast glass and steel that it would fit in our collection, as i think "exquisite" doesn't describe what we usually like. I guess you start to learn a lot about yourself as you collect art.....
I met Syl through the Washington Glass School.
Allegra Marquart
Allegra's work is playful, and colorful, yet highly industrial and rugged. no one is doing work like her.
Another Washington Glass School artist.
David D'Orio
I first saw Dave's work at an artomatic, though i'd heard of him earlier since he owns and operates one of DC's only hot shops. I met Dave mainly through taking a metal casting class at his DC glassworks, and i keep stopping by to say hi. we've been in some shows together. anyway, his work is fantastic. narrative, symbolic, rugged, unusual, a bit crazy. everything i like in sculpture, Dave represents.
Megan Van Wagoner
Another DC Glassworks artist. I first saw Megan's work at Artomatic 2009. She had these cast glass potatoes on ceramic pillows with a kind of decorative element, all held up by steel. Delicate, rugged, 3 great materials. subtly strange, yet poignant. Totally engaging work. I've only managed to buy some of her functional pieces.. 2 coffee mugs.. but we'll get some sculpture sometime.
Jeanette Herrera
I first learned of Jeanette through Artdc.org. Loved her work, but it really doesn't translate to a jpeg well. Seeing her work in person you can really see how detailed and rich it is. I like works that just dominate and force you to believe in another world entirely. Her work does that. I don't ever see Jeanette, so i don't know her as much as other people on this list, but i've met her once and know her to be rock solid.
Leila Holtsman
I first saw and met leila through Artomatic.. 2008? A great combination of silk screening on steel and ceramic. Once part of the Boozer Kingdom of Red Dirt Studios, I saw leila fairly regularly, and i think we both learned to MIG weld at the same workshop at Sam Notos studio in Greenbelt. Plus Leila is super nice.
Andrew Wodzianski
Andrew is a bad ass, plain and simple. Once i went to a show of andrews where his girlfriend was dressed up as a nurse and he stayed in a closed coffin the entire time. How hot is that? to me, HOT. I love andrew to death and hope I get to spend more time with him. And I want one of his paintings.. but may have to settle for a less expensive series.
Cory Oberndorfer
I first saw Cory's work as spray paint work on a column at Artomatic 2007 (nearly all of my friends are through artomatic....). He had these roller derby girls and penguins. totally fresh. totally cool. i didnt actually met him for a few years... maybe 2009? Not sure. He's become a friend now though and I really look forward to seeing his new work.
Jenny Walton
I met jenny through my half assed attempt to become part of Sparkplug, the artist collective formed by DCAC. Sadly it conflicted with Sunday dinners with the Mather artists and I had to bail on it. No regrets and now I see Jenny fairly often. Her work in mono type has a haunting quality and an imagery that lingers with you. I've not yet decided on which vein of her work i like the most.
Cheryl Derricotte
I met cheryl through the Washington Glass School. She's been on a hiatus from making work, but when she gets back to it in 2011 i'm sure we'll see really great work come out of her.
Sherill Gross
I first met sherill at artomatic 2000 and admired her work from the get go. ( another example of why you should snap at work you like right away!.. hard lesson learned thank you erwin timmers) i didnt really become friends with Sherill till the last few years. I even have an upcoming show with her, thanks to her for arranging it and inviting me to participate.
Kristina Bilonick
I met Kristina through the Washington Glass School. I used to go to her open studios in MidCity. and see her around at shows. Once rania and i started doing street festivals, i became friends with Kristina and she was part of our Art Monday thing. Kristina keeps going on to greater and greater things all the time. Her work is really cool. I had a framed silk screen at my house for a long time ( not a print.. the actual screen) but was just holding it and friend of mine bought it. I own a shirt she silk screeend but no real artwork. Someday that will be remedied.
Matt Sesow
I first saw matts work at artomatic 2000 but didn't really meet him until 2005. Matt is simply the most prolific painter in the world. no dc collection can be complete without a sesow. matt is also one of the most dedicated people i've ever met. he is also Dana Ellyns husband. someday he'll take me up on the going out for drinks offer i always make. ; )
Dana Ellyn
Maybe the second most prolific painter in the world. She's matt sesows wife, making them the most awesome art couple. Dana's work is very obviously akin to matts work, but she has more emphasis on the drawing and coherency of brush work. Her style has noticeably gotten tighter since i first saw it, and i really like the direction it's gone.
Emily Greene Liddle
Another artist i first saw at Artomatic. And there was a time i saw her work EVERYWHERE. all kinds of shows. I didnt meet emily until the past 2 years I think. she's an amazing painter with a very minimal classy approach, though her content is a bit dark. All the better. She's a super cool woman and she and her husband are two of the nicest people you'll meet. I wish I knew them better. And had a painting.
Billy Colbert
I don't personally know Billy, but his work is absolutely fantastic. I want a piece if his. we have many many mutual friends, so i know he's a great guy. And that's important to me in buying peoples work.
CeCi Cole McInturff
Ceci's studio. gallery is right around the corner from my house. i don't know her well, but i love Ceci and her work just keeps getting better and better. It's probably time to get some before her prices go up.
Brendan Smith
Brendan is a neighbor of mine and really genuine guy. His work is irreverent with really cool found objects. He has a smart biting satire in his work. We'll have to get one of his pieces soon.
Decoy
I've only met Decoy a handful of times, but if you've been in DC for a bit, you've seen her work. One of the most prolific DC street artists in the 2000's. She's got her own style and a multitude of series. Hopefully DC will have her around for a long time.
Bridget Sue Lambert
Another person i've only met a few times but Bridget is really nice and has a very cool aesthetic. I like miniatures and dollhouse/ diorama/ model kinds of things and she's got that is spades. Cool work, and though photography doesn't tend to draw me, hers does.
Henrik Sundqvist
Cool cool guy. And very dynamic. Henrik founded Art Outlet which has produced some of the most fun art shows in the dc area. His prints are graphic and punk rock and i love that.
Christian Tribastone
i've never met Chrisitan, though I've tried. I first saw his work at....yup.... Artomatic and absolutely love it.
Mark Behme
Mark's work is wickedly cool. So complicated and skillful. Plus mark is a great guy and was extremely vital in the work of the washington sculptors group.
Sergio Olivas
I first met Sergio and his awesome artist wife Claudia at Artomatic 2007. I've been to their beautiful studio, which i recommend visiting. i don't see them much and i don't think they are particularly active in the DC gallery world, but i do love them. A very kind couple, and extremely dedicated to art making.
Sergio's work hits me in a way that jives right. its visceral work that forms a visceral reaction.
Matt Hollis
Matt is a super great guy who creates a wonderful world of soft sculpture. he does photography and prints and drawings, but his sculpture is what i absolutely am drawn toward.
This list will be amended as my brain works through it.
Then there are far too many people whose work doesn't really fit our collection or house or budget but I admire greatly nonetheless. Even people who are good friends. I'm not even going to list them, but most are on the WPA Artfile or the WSG Gallery, which i would encourage all DC area collectors to check out. As i said, a collection of art becomes your voice, you should shape it in a way that jives with you. Buy a piece of art because you love it.
Los Links:
Mather Studios
Artomatic
Red Dirt Studios
DC Glassworks
Washington Sculptors Group
Washington Glass School
WPA
We do have some non-dc artist's pieces too, but that's a different post for a different time.
in short, here are my tips:
1. If you love it buy it now.
2. Buy what you love. buy what speaks to you.
3. It means more if you get to know the artist. Go to open studios. Meet an artist for coffee. Go to openings, but get there early.
4. Take art workshops. you'll make something, learn about the process, and meet tons of artists.
So far, we've managed to get works by these wonderful artists:
Novie Trump-
I knew Novie a looong loong time ago, well before either of us knew of one another as artists. I was taking a year off of college, she was working at a punk rock pizza joint where a roommate of mine worked. We were acquaintances, but not really friends. I re-met her at a lecture at the Arlington Art Center and she showed me some of her work. I fell in love with it. Plus Novie is a great woman. I got to know Novie better as we were both on the board of the Washington Sculptors Group for a spell and we are now studio neighbors out in Mount Rainier. I can't get enough of her work and if rich enough would get her to design an entire room. I deeply hope that I can actually work with her on projects in the future.
Andrea Haffner-
I first saw Andrea's work at Artomatic back in 2002. Stunning pieces and I've been buying jewelry from her for years. Her studio was nearby our house and before she took a sabatical from DC we bought a small piece of hers. we need a larger piece i'm afraid. it's unique and beautiful. natural and synthetic. delicate and indestructible. I dont know a soul that doesn't love her work.
Michael Janis-
Once michael started working in his now renowned scraffito technique i really wanted a piece of his. I've managed to pick up a few of his pieces at the Washington Glass School open studios. I'd really love to buy a large panel of his works, especially his more architecturally oriented pieces. he should be an art megastar. His work is that compelling.
Tim Tate-
I met and became good friends with Tim at the 2002 Artomatic. I had gone a bit over the top with a painting installation at that artomatic and was fortunate to have tim fall in love with my work. I was able to barter with tim to get some cool pieces of his. nothing like his newer pieces... which i covet. Even though he is mostly known, these days anyway, for his self contained video installations, my favorite pieces of his are complicated and narrative arrays of found objects with cast and blown glass. series such as the 7 deadly sins. But then again, maybe if ya'll would stop buying his work, his prices would go down and i could afford it. ; ) Tim is one of the founders of the Washington Glass School, a MUST SEE studio for every art lover and collector in the dc area.
Kirk Waldroff -
I met Kirk in 2003 through the Mather Studios, a subsidized housing project for artists. we became friends, but also, along with Kristina Bilonick and rania hassan, worked together on a secret project called Art Monday. We've even exhibited together under the pseudonym Arthur Monday. Kirk is a printmaker and carpenter, but sometimes casts his wood blocks in glass. or concrete. ( he and i made a concrete countertop for his place once)
Jaime Zollars-
I set up across from Jaime at a Crafty Bastards and few years ago and fell in love with her and her work. I bought a piece of hers as a present for Rania for Christmas last year. I guess really all i have is a print. I want originals, so I'll have to keep checking her work out.
Kerri Sheehan-
Kerri and I became friends through the Washington Glass School where she used to teach. She was doing some interesting work with Venus figures and drawings on cast plate glass. recently I plastered the walls of her new house.
Elizabeth Baldwin-
Beth and i worked together at the Shakespeare Theatre. I've known her for, i guess around 12 years or so. i have a few small pieces of hers from original pastel to prints to her current series of plush figures.
Scott Brooks
I've absolutely loved Scott's work since I first saw it... prolly at Artomatic 2000?.. I became friends with Scott at some point... don't really know how... but I was fortunate to go to his moving sale and score a really cool piece. The pieces of his that I love are, like a few artists that i know, a bit beyond our budget.
Kelly Towles-
I don't remember when I met Kelly, but the first time I saw his work was at the warehouse cafe and he had done a large painting, possibly on the wall. super cool. i first got to hang out with kelly while doing the Pool Tradeshow in Vegas a few years ago. i've gotten two pieces as gifts. but I hope I can buy a large piece of his someday.
Erin Antognoli-
Erin creates really cool holga photos. but she has a certain and unique style that I really like. I first met Erin through Artdc.org and some gallery hopping. recently she's been seduced by the dark side of art: sculpture. I'm excited to see where that might go.
Sean Welker ( Sadly, he's moved on to Chicago. Rat bastard)
If sean had stayed in dc we'd be best friends by now. I love him, and his work. I picked up only a very tiny piece of his at his going away studio sale. i got to visit with him once in Chicago and would love to go back.
Carlos Beltran Baldiviezo-
I set up next to and met Carlos a few years ago at the Downtown Holiday Market just outside the National Portrait Gallery in DC. His figurative clay sculptures are beautiful and we traded pieces. I really like his work, though I have only seen him a few times since. he works out of the Torpedo Factory in Alexandria, Virginia.
Jessica Wade Howard
Jessica made a painting for us when we got married. I met jessica and her husband Lee, another sculptor, during my time at the Shakespeare Theatre. Jessica was once one of the set painters, then went on to work for Stanislavsky theatre, and then onto motherhood and a non art job. I hope she someday finds her artwork again. she's very talented.
I would wholeheartedly recommend adding these artists to your collection. We, of course, have some fine examples of our OWN WORKS. all over our house. too many. want some? Clearly you should have our works too.
There are still a ton of artists that we still want pieces from and I would encourage everyone to seek them out. That list includes, but is not limited to:
Margaret Boozer-
I have been in love and a hero-worshiper of margaret forever. she's awesome and her work kicks ass. I really want a piece of hers but I know that I will need to be very careful in picking which one. Also, once margaret co curated a show at DCAC with a curatorial statement that still haunts me. Her studio is a MUST SEE for every collector and art lover in the DC area.
Sondra Arkin
I first met Sondra through her curation of the DC City Hall's Art Collection ( which you should go through... for free, any weekday) . She's a masterful curator, but a subtly amazing encaustic aritist. I say sublte, because the impression that her work has made on me has been slow. Perhaps I have grown to appreciate it, but I think that the non objective nature calls for a contemplation that takes time. In any case, all of the sudden her work became fresh in my eyes. It's funny how that works.
Erwin Timmers
Now, I could kick myself for not buying one of Erwin's Snake Lights when I first saw it and I could actually afford it. Someday. Someday I will get a piece of his. Erwin is a director and studio mate of mine at the Glass School, so I've gotten to talk to him quite a bit about his work. His news stuff is going to skyrocket him. Buy it if you can.
Chris Shea
Chris is a master of iron and metal working. A MASTER. If you appreciate quality functional metal pieces, check his stuff out. I'd kill for him to make me a dinning room table. Or just about anything.
Michael Sirvet
Mike is a friend also through the Mather artists. His metal sculpture is a bit mind numbing when you contemplate his exactness and labor. Now, of course, he's gigantic and his greatness means i never see him anymore. Someday i'll get one of his pieces though.
Syl Mathis
A glass artist that makes exquisitely cast glass "boats" with wonderful metal stands. The simplicity and elegance of his work is very nice, and really its only that its cast glass and steel that it would fit in our collection, as i think "exquisite" doesn't describe what we usually like. I guess you start to learn a lot about yourself as you collect art.....
I met Syl through the Washington Glass School.
Allegra Marquart
Allegra's work is playful, and colorful, yet highly industrial and rugged. no one is doing work like her.
Another Washington Glass School artist.
David D'Orio
I first saw Dave's work at an artomatic, though i'd heard of him earlier since he owns and operates one of DC's only hot shops. I met Dave mainly through taking a metal casting class at his DC glassworks, and i keep stopping by to say hi. we've been in some shows together. anyway, his work is fantastic. narrative, symbolic, rugged, unusual, a bit crazy. everything i like in sculpture, Dave represents.
Megan Van Wagoner
Another DC Glassworks artist. I first saw Megan's work at Artomatic 2009. She had these cast glass potatoes on ceramic pillows with a kind of decorative element, all held up by steel. Delicate, rugged, 3 great materials. subtly strange, yet poignant. Totally engaging work. I've only managed to buy some of her functional pieces.. 2 coffee mugs.. but we'll get some sculpture sometime.
Jeanette Herrera
I first learned of Jeanette through Artdc.org. Loved her work, but it really doesn't translate to a jpeg well. Seeing her work in person you can really see how detailed and rich it is. I like works that just dominate and force you to believe in another world entirely. Her work does that. I don't ever see Jeanette, so i don't know her as much as other people on this list, but i've met her once and know her to be rock solid.
Leila Holtsman
I first saw and met leila through Artomatic.. 2008? A great combination of silk screening on steel and ceramic. Once part of the Boozer Kingdom of Red Dirt Studios, I saw leila fairly regularly, and i think we both learned to MIG weld at the same workshop at Sam Notos studio in Greenbelt. Plus Leila is super nice.
Andrew Wodzianski
Andrew is a bad ass, plain and simple. Once i went to a show of andrews where his girlfriend was dressed up as a nurse and he stayed in a closed coffin the entire time. How hot is that? to me, HOT. I love andrew to death and hope I get to spend more time with him. And I want one of his paintings.. but may have to settle for a less expensive series.
Cory Oberndorfer
I first saw Cory's work as spray paint work on a column at Artomatic 2007 (nearly all of my friends are through artomatic....). He had these roller derby girls and penguins. totally fresh. totally cool. i didnt actually met him for a few years... maybe 2009? Not sure. He's become a friend now though and I really look forward to seeing his new work.
Jenny Walton
I met jenny through my half assed attempt to become part of Sparkplug, the artist collective formed by DCAC. Sadly it conflicted with Sunday dinners with the Mather artists and I had to bail on it. No regrets and now I see Jenny fairly often. Her work in mono type has a haunting quality and an imagery that lingers with you. I've not yet decided on which vein of her work i like the most.
Cheryl Derricotte
I met cheryl through the Washington Glass School. She's been on a hiatus from making work, but when she gets back to it in 2011 i'm sure we'll see really great work come out of her.
Sherill Gross
I first met sherill at artomatic 2000 and admired her work from the get go. ( another example of why you should snap at work you like right away!.. hard lesson learned thank you erwin timmers) i didnt really become friends with Sherill till the last few years. I even have an upcoming show with her, thanks to her for arranging it and inviting me to participate.
Kristina Bilonick
I met Kristina through the Washington Glass School. I used to go to her open studios in MidCity. and see her around at shows. Once rania and i started doing street festivals, i became friends with Kristina and she was part of our Art Monday thing. Kristina keeps going on to greater and greater things all the time. Her work is really cool. I had a framed silk screen at my house for a long time ( not a print.. the actual screen) but was just holding it and friend of mine bought it. I own a shirt she silk screeend but no real artwork. Someday that will be remedied.
Matt Sesow
I first saw matts work at artomatic 2000 but didn't really meet him until 2005. Matt is simply the most prolific painter in the world. no dc collection can be complete without a sesow. matt is also one of the most dedicated people i've ever met. he is also Dana Ellyns husband. someday he'll take me up on the going out for drinks offer i always make. ; )
Dana Ellyn
Maybe the second most prolific painter in the world. She's matt sesows wife, making them the most awesome art couple. Dana's work is very obviously akin to matts work, but she has more emphasis on the drawing and coherency of brush work. Her style has noticeably gotten tighter since i first saw it, and i really like the direction it's gone.
Emily Greene Liddle
Another artist i first saw at Artomatic. And there was a time i saw her work EVERYWHERE. all kinds of shows. I didnt meet emily until the past 2 years I think. she's an amazing painter with a very minimal classy approach, though her content is a bit dark. All the better. She's a super cool woman and she and her husband are two of the nicest people you'll meet. I wish I knew them better. And had a painting.
Billy Colbert
I don't personally know Billy, but his work is absolutely fantastic. I want a piece if his. we have many many mutual friends, so i know he's a great guy. And that's important to me in buying peoples work.
CeCi Cole McInturff
Ceci's studio. gallery is right around the corner from my house. i don't know her well, but i love Ceci and her work just keeps getting better and better. It's probably time to get some before her prices go up.
Brendan Smith
Brendan is a neighbor of mine and really genuine guy. His work is irreverent with really cool found objects. He has a smart biting satire in his work. We'll have to get one of his pieces soon.
Decoy
I've only met Decoy a handful of times, but if you've been in DC for a bit, you've seen her work. One of the most prolific DC street artists in the 2000's. She's got her own style and a multitude of series. Hopefully DC will have her around for a long time.
Bridget Sue Lambert
Another person i've only met a few times but Bridget is really nice and has a very cool aesthetic. I like miniatures and dollhouse/ diorama/ model kinds of things and she's got that is spades. Cool work, and though photography doesn't tend to draw me, hers does.
Henrik Sundqvist
Cool cool guy. And very dynamic. Henrik founded Art Outlet which has produced some of the most fun art shows in the dc area. His prints are graphic and punk rock and i love that.
Christian Tribastone
i've never met Chrisitan, though I've tried. I first saw his work at....yup.... Artomatic and absolutely love it.
Mark Behme
Mark's work is wickedly cool. So complicated and skillful. Plus mark is a great guy and was extremely vital in the work of the washington sculptors group.
Sergio Olivas
I first met Sergio and his awesome artist wife Claudia at Artomatic 2007. I've been to their beautiful studio, which i recommend visiting. i don't see them much and i don't think they are particularly active in the DC gallery world, but i do love them. A very kind couple, and extremely dedicated to art making.
Sergio's work hits me in a way that jives right. its visceral work that forms a visceral reaction.
Matt Hollis
Matt is a super great guy who creates a wonderful world of soft sculpture. he does photography and prints and drawings, but his sculpture is what i absolutely am drawn toward.
This list will be amended as my brain works through it.
Then there are far too many people whose work doesn't really fit our collection or house or budget but I admire greatly nonetheless. Even people who are good friends. I'm not even going to list them, but most are on the WPA Artfile or the WSG Gallery, which i would encourage all DC area collectors to check out. As i said, a collection of art becomes your voice, you should shape it in a way that jives with you. Buy a piece of art because you love it.
Los Links:
Mather Studios
Artomatic
Red Dirt Studios
DC Glassworks
Washington Sculptors Group
Washington Glass School
WPA
We do have some non-dc artist's pieces too, but that's a different post for a different time.
in short, here are my tips:
1. If you love it buy it now.
2. Buy what you love. buy what speaks to you.
3. It means more if you get to know the artist. Go to open studios. Meet an artist for coffee. Go to openings, but get there early.
4. Take art workshops. you'll make something, learn about the process, and meet tons of artists.
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